I don't know when it started, the adaptation of novels into film and television dramas has become a trend. To be precise, it seems that all the themes of film and television dramas come from novels.
Art films, tomb robbing films, ancient costume fantasy films, technology films, etc., have spread widely. Especially in recent years, tomb raiders and fantasy movies have become more widespread, and there are very few that can be regarded as conscientious dramas. Today, I present two movies and TV dramas that are quite different.
No. 1 in the costume drama list, Langya list at noon.
Langya tops the list, Jiang Zuo Meilang. p>
When it comes to "Langya Bang", first I think of a good conscience drama, which is definitely considered a benchmark drama in recent years.The scene design, as small as the characters and the costume design, are so meticulous. They all say "produced at noon, it must be a boutique", which seems to be no exaggeration.
For example, let’s take a look at the TV series produced: "Crossing Guandong", "A Family in Wenzhou", "Battle in Changsha", "No War in Peking", "Langya List", "The Pretender", "Ode to Joy", "Big Rivers", "Knowing whether it should be green, fat, red and thin", "Everything is Good", which one is not classic, especially this year's "Everything is Good" is in full swing.
The line of sight returns to "Langya List" again , The reason why this drama can be called a divine drama has always been inseparable from the efforts of the production team. The plot is closer to the original, and the changes are small. Even if there are changes, it is more refined on the basis of the original.
Just one "hand-off" is enough to make me worship.
When saluting, the male left and the female right, that is, the male left hand is up, and the female right hand is up. The editor sees " "Langya List" also has two or three times, and I have never found any mistakes. It can be seen that the production team has a perfect grasp of details.
The actors are also very good at shaping the characters. Well, Hu Ge naturally needless to say, the role of Mei Changsu seems to be tailor-made for him. Similar life experiences made him act as Jiangzuo Meilang.
If the skin is difficult to repair, fill it with your thoughts
Hu Ge's sentence is also my favorite.
The world is inhumane, and everything is a dog.
This sentence comes from Laozi’s "Tao De Jing", but it is really familiar to me because of the novel "Zhu Xian". The ancient costume fantasy drama "Qing Yun Zhi" is adapted here.
First, let’s review this novel. "Zhu Xian" was created by Xiao Ding in 2003, and was called "Three Wonders of the Internet" together with "The Journey of the Gone with the Wind" and "Legend of Little Soldiers". The influence of Zhang Xiaofan is also very important. In the novel, Zhang Xiaofan’s life experience is tortuous, and the feelings between Lu Xueqi and Baguio are inseparable, especially the love of Baguio, which has won the admiration of many boys and girls. The sword is only for the sake of love, although it is dead without regret. Zhang Xiaofan betrayed Qingyun for Baguio,Entering the Ghost King Sect, these plots are full of enthusiasm when I think of it.
BUT, When "The Legend of Qingyun" appeared, everything seemed to come so suddenly. I have been looking forward to adapting it into a film and television drama. When this moment really comes, I feel a trace of fear, maybe I am looking forward to it. The reason is higher, afraid of being destroyed.
Often dreams are beautiful, reality is cruel, and they are severely smashed by reality.
First of all, the plot has changed a lot, many places They have all deviated from the original work. Take the first episode as an example. Tianyin Temple and Shang Puzhi, since they are monks, whether it is Tianyin Temple or Shaolin Temple, they should all be bald, why should the whole hair come out?
Secondly, the plot is too procrastinated, and 30 episodes can be finished, so if you have to get 58 episodes, It doesn’t matter if you are close to the original, but it has added a lot of useless plots.
Thirdly, the actors do not shape the role in place. The only role in this play that makes the editor feel that the shape is in place is Baguio (Zhao Liying). She interprets Baguio’s eccentricity very well, but the only thing that doesn’t feel in place is Lu Xueqi played by Yang Zi. The original Lu Xueqi is an iceberg beauty who does not eat fireworks and is aloof, and she feels disdain for everyone. But Yang Zi didn't explain it well. In fact, this role is very much like the little dragon girl in the sculpture. The editor feels that it would be best if Chen Yulian at his peak played Lu Xueqi.
In fact, Tang Yan is also more suitable to play, she has a similar temperament, not to mention that she played Lu Xueqi in the MV of Ren Xianqi’s "I'm Back".
After comparing the two plays, The editor believes that since film and television dramas are adapted from novels, they must respect the original work and know what fans want.And the most important point is that the details determine everything, success or failure, and the perfect handling of details is the king of survival of film and television dramas!
The above only represents personal opinions, and friends have different opinions and comments.